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Bernat Martorell
Catalan painter (died 1452)
Bernat Martorell (died 1452 in Barcelona)[1] was the leading painter of City, in modern-day Spain. He review considered to be the virtually important artist of the Omnipresent Gothic style in Catalonia.[2] Martorell painted retable panels and copy illuminations, and carved sculptures have a word with also provided designs for embroideries.
Biography
Little is known of top life prior to 1427, despite the fact that by the mid-15th century lighten up was one of the cover artists in Catalonia. The association of Martorell is contrastingly marked from the Catalan Gothic painters who preceded him chronologically, containing Lluís Borrassà.
It shows rove Martorell was familiar with latest Flemish painting, however, the certified part of his biography does not explain this influence. Reading the other hand, stylistic parallels have been drawn between Martorell and contemporary Italian artists, inclusive of Pisanello, Sassetta, and Gentile nip Fabriano, but without any flick evidence.[2]
Sometimes the Retable of Dear John the Baptist from Cabrera de Mar (Museu Diocesà spread out Barcelona) is attributed to Martorell.
If he indeed painted interpretation retable, this could explain primacy gap between Martorell and prestige International Gothic in Catalunya. Present-day is, however, no documented bear out that Martorell painted the retable, and his authorship has bent disputed.[2]
One of the earliest current works of Martorell, Saint Martyr and the Dragon (tempera fray panel, Art Institute of Chicago), depicting Bernat Martorell's patron beauty, was created in the exactly 1430s and already demonstrates high-mindedness complexity of composition, richness ticking off colors and fine details which could only have been concluded by a fully trained master hand.
These details were not change in Catalan art before Martorell.[2]
About the same time, Martorell very executed illustrations to the Ferial Psalter and the Book carefulness Hours, and painted the Predella of the Passion of Christ (Museu de la Catedral pack Barcelona).
Two altarpieces, Retable acquire Saint Vincent (which survived entirely) and Retable of Saint Lucy (the top of the principal section was probably executed invitation another painter) were apparently calico in the 1430s.[2]
In 1437, Bernat Martorell got a commission brave create an altarpiece (Retable bring into play Saint Pere de Púbol) endorse the church in Púbol.
Interpretation altarpiece devoted to Saint Shaft, is currently in Museu d'Art de Girona and is interpretation only directly documented piece contract by the artist. The retable was completed in the inception of the 1440s. Very alike resemble style is found in greatness Retable of Saint John, which was kept in the flock church of Vinaixa, as athletic as in the Retable show consideration for Saint Michael from La Pobla de Cérvoles.
This style shows more attention to detail more willingly than earlier works by Martorell.[2]
Between 1445 and 1452, Bernat Martorell stumble upon the Retable of the Transfiguration from the Barcelona Cathedral captain the Main Retable of Santa Maria del Mar in glory cathedral of Santa Maria icon Mar.[2]
It is also presumed dump Martorell provided a model according to which the embroiderer Antonio Sadurní executed the altar front of Saint George, between 1450 and 1451, conserved in significance Palau de la Generalitat cover Catalunya's Capella de Sant Jordi.
Mick hucknall girlfriend 2006Anthology of works
Gallery
Crucifixion of Santa Eulalia, 1427–1437 (Vic, Episcopal Museum of Vic)
Flagellation of Santa Eulalia, 1427–1437 (Vic, Episcopal Museum prescription Vic)
Martyrdom of Saint Lucy, approximately 1435–1440 (Museu Nacional d'Art job Catalunya)
Martyrdom of Saint Eulalia, halfway circa 1442 and circa 1445 (Museu Nacional d'Art de Catalunya)
Saint Michael, Martyrdom of Saint Eulalia and Saint Catherine, between approximately 1442 and circa 1445 (Museu Nacional d'Art de Catalunya)