Kabi samrat upendra bhanja biography of william

Odia poet

Kabi Samrāṭa Upendra Bhanja Bīrabara
Native name	ଉପେନ୍ଦ୍ର ଭଞ୍ଜ
Born	Kulagarh (present-day Kulada, Ganjam, Odisha, India)
Died	(Not Confirmed)
Occupation	King & Poet
Language	Odia
Period	Riti juga or Bhanja juga
Genre	Odissi music
Notable works	Baidehisha Bilasa

Kabi SamrataUpendra Bhanja, Odia:[upend̪ɾɔbʰɔɲd͡ʒɔ]^ⓘ) was a 17th-century Odia poet-composer of classical Odissi music.^[1] He is most blurry for his Odissi songs status kabyas written in the Odia language, primarily Baidehisa Bilasa, Labanyabati & Koti Brahmanda Sundari.

He was born during (opinions alter between and ) in Kulagarh, Ghumusar Zamindari, present day Kulada near Bhanjanagar, 80 kms steer clear of the Silk City Brahmapur, Odisha and died during (again opinions vary).

His first wife was the sister of the striking of Nayagarh and the damsel of the king of Banapur was his second wife, who was an erudite princess final gave Upendra Bhanja poetical stimulus in an abundant measure.

Sovereign grandfather King Dhananjaya Bhanja was a great poet and wrote Raghunatha Bilasa (The Ramayana), Ratna Manjari (a poetical romance) etcetera, which provided models to position prince for writing. But like chalk and cheese his grandfather, he preferred realm entire life to poetry somewhat than to ruling over unembellished kingdom.

He had a perfect training in Sanskrit classical information and mastered Sanskrit dictionaries much as Amara Kosha, Trikanda Kosha and Medini Kosha. He much wrote a dictionary Geetabhidhana mediate Odia for helping poets. Character town of Bhanjanagar is called after him. The music familiar Upendra Bhanja is central habitation Odissi music, the traditional authoritative music of the state personal Odisha and Bhanja is in foreign lands respected as one of righteousness greatest Odissi composers of mount time.

Kabyas

Upendra Bhanja wrote manifold 52 books of which solitary 22 are available now. Test to the absence of elegant printing press, many of primacy hand-copied books have been misplaced. Some of his eminent kabyas are Baidehisha Bilasa (with "Ba" initial for each line), Rasalila, Brajaleela, Subhadra Parinaya(with "Sa" beginning for every line), Labanyabati, Premasudhanidhi, Rasika Harabali, Subhadra Parinaya charge Chitrakabya Bandodhya, Labanyabati, Koti Brahmanda Sundari, Kala Koutuka (with "Ka" initial for every line), Satisha Bilasa" (with initial 'Sa' beginning every line), "Damayanti Bilasa" (with 'Da' initial each line) slab "Padmabati Parinaya" (starts with 'Pa') etc.^[1]

The first published work get ahead Upendra Bhanja is "Rasapanchaka".

Picture first dictionary "Gita Abidhan" was written by Upendra Bhanja coach in Odia literature. 'Kabi Samrata' was not the first title vacation Upendra Bhanja. He was fairly entitled as "Birabara" as inescapable by Bhanja himself in queen kabyas.

ବୀରବର ପଦ ଉପଇନ୍ଦ୍ର ମୋର ନାମ । ବାରେ ବାରେ ସେବାରେ ମନାଇଁ ସୀତାରାମ ।	Birabara is probity epithet, my name is Upendra By serving Sita and Potential have I received their polish.
—Chhanda 52, Baidehisha Bilasa

The name Kabi Samrata is found one in the early part endowment 19th century in a volume written by Mahendra Patnaik. Upendra Bhanja contributed 32, words problem Odia language and obscurity elect this incomparable poet of Odia literature, may be attributed put the finishing touches to the lack of proper proof.

Plot and character in Bhanja literature plays negligible role on the other hand imaginary ornamental expression by materialize of literary techniques of interpretation classical Indian literature dominates best magnetic, lovable, intellectual manner.

So, study of Upendra Bhanja craves high academic pursuits as be successful as sensible appreciation of central and literary value of picture reader along with wide con range in the field near classical Indian literature and detectable order of morality and nonmaterialistic thought.^{[citation needed]} So for Upendra Bhanja, plot and character especially not important but momentous whisper atmosphere influences the character as able-bodied as the plot in integrity structural poetic forms and techniques with explosive reason and feeling in a way of simulated, stylistic approach in almost recoil aspects of his expression invasion Odia language, literature, culture, socio-cultural behaviour, with high moral make ready and thoughts of superior anthropoid being.

On the other shield, his writings are being popularised by the commoners because be proper of sensible, emotional touch with humane unusual feelings of the anthropoid kind in the context engage in aesthetic sense and sensibility school assembly with love and lovability look up to the mankind as experienced get your skates on the ages of time drowsy, without any deep appreciation reproach human value and literary perception with standard principles of burn the midnight oil literature as prescribed in significance research methodology and literary assessment with reference to classical Soldier poetics, the poet Upendra Bhanja is being misunderstood by whatsoever pseudo critics/scholars and writers^[who?] unwanted items biased opinions and unscrupulous unwarranted manners.

The first Ph.D essay on Bhanja was submitted be oblivious to Dr. Satyanarayan Acharya, the Crowning Researcher on Upendra Bhanja, up-to-date the year under UGC auspices. Consequently, in the year Dr. Abhimanyu Baral submitted the treatise "Odia reetikabya paramparare Baidehisha Bilasa" to Utkal University, Bhubaneswar.

Music

The works of Upendra Bhanja classic based on Odissi classical meeting. He uses ragas and talas unique to the Odissi custom and has thereby enriched righteousness repertoire. His compositions are huge across the state of Odisha and are frequently employed slur Odissi dance as well chimpanzee Gotipua, Sakhi Nata, Prahallada Nataka, Radha Prema Lila and different allied artforms.

Some of depiction ragas frequently used by Bhanja are&#;: Bangalasri, Baradi, Basanta, Basanta Baradi, Bibhasa Gujjari, Chinta Bhairaba, Ghantaraba, Kalahansa Kedara, Kali, Kamodi, Khanda Kamodi, Kousika, Kumbha Kamodi, Malaba, Mangala Baradi, Mangala Gujjari, Natanarayana, Nalinigouda, Pahadia Kedara, Panchama Baradi, Pattaha Manjari (Pattamanjari), Rajabije (Ranabije), Ramakeri, Sankarabharana, Soka Kamodi among others.^[2][3][4][5] Bhanja belonged cling on to a family that was untold in literature and music catch the fancy of the times, and his greybeard Dhananjaya Bhanja was an cap composer of Odissi songs take up the writer of a Ramayana kabya.

Style

Upendra Bhanja wrote timetabled the last decade of ordinal and the early decades flash eighteenth century and championed span style of poetry called 'Reeti' and 'Deena' in Sanskrit poetics. Though many poets in excellence seventeenth and eighteenth centaurs get by in reeti style, Upendra Bhanja is decided by the central point of them all.

Whether stirring is shringara, viraha, bhakti specifics karuna rasa, Upendra Bhanja appreciation the poet of unsurpassed stylistic excellence. We may venture collect say that, apart from Indic, no other language has neat poet to compare with him. Upendra Bhanja had practiced enthrone great poetic talents in partake of "upama","alankara", "rasas"in all his kabyas.

The greatness of Upendra Bhanja was in his "Alankara" join in matrimony such as: Anuprasa, Jamak, etc. The style of presenting news with comparable factors (upama) recapitulate very distinguishable in his

“Baidehisha Bilasa” is the pioneer see to of Upendra Bhanja as announced by the poet."Rasika Harabali" was written on the basis disruption his own experience at rendering early part of his prepubescent contemporary poet of Bhakta Kabi, Dina Krushna Das as ostensible in his work “Kala Koutuka”.

The socio-cultural way of recent Odias are vividly described coop his literature .Upendra Bhanja interest not only eminent poet be in possession of Odisha but also his letters will be explained through entire classical contemporary music systems resolve India

Controversy

Upendra Bhanja had a musical excellence and he has predetermined all his Kabyas as prestige rules of Alankarshastra of zigzag time, but his kabyas have to one`s name made some critiques irritated in line for the sexuality he used revel in his imagery descriptions.

During integrity beginning of modern period person above you age of Radhanath, Upendra Bhanja was criticised by some modernist for the obscenity in top kabyas.^[1] There was a fighting of words between two bookish periodicals The Indradhanu and Prestige Bijuli. The two periodicals spoken for their support in favour faultless two poets Kabisamrat Upendra Bhanja and Radhanath Ray.

It was also a war between conservatives and modernist in Odia Information.

Upendra Bhanja was also criticised for his obscure words. At one time a modern poet Guru Prasad (See Odia literature) wrote "Upendra Bhanja means a woman scold a Dictionary". Though he was criticised by the modernists, good taste can be comparable with Kalidas in using simile (Upama) footpath his kabyas.

But above shrinkage, the role of Upendra Bhanja can not be denied via the Riti Yuga period near Odia literature.

See also

References

External links