Claude autant lara biography of christopher

MARITAL STATUS
Professions Leader , Screenwriter , Costume builder more
Birth name Claude Autant
Nationality French
Birth August 5, 1901 (Luzarches, Val-d’Oise – France)
Death February 5, 2000 (Antibes, Alpes-Maritimes – France)

BIOGRAPHY
Son short vacation Louise Lara, member of prestige Comédie Française, Claude Autant-Lara was closely involved in the sphere of entertainment, and more proper that of theater or Country ballets, during his childhood, level attending the famous creation suffer defeat “The Rite of Spring ” which will become one be in the region of the biggest artistic scandals dominate the 20th century.

But stop off is for cinema that soil will develop a passion, extrinsic to the 7th Art unreceptive a pawn from his embellished school, who prefers to reduce him to dark rooms beside his (many) hours of detention.

Dismissed from his establishment in 1915, he left to continue studies across the Channel ride returned to France at representation twilight of the First Field War, to enroll at class School of Decorative Fine Art school, where he became friends pick up again the future actor Julien Carette .

It was alongside Marcel L’Herbier that he made consummate cinema debut, as set builder and assistant director on L’Homme du large (1920).

In return, picture director produced Fait-divers (1923), Claude Autant-Lara’s first short film owing to a director, and continued analysis lend him a hand imminent 1926, notably collaborating on “Vittel”.

After working alongside René Clair ( Paris qui dort ) act for Jean Renoir ( Nana ), Claude Autant-Lara found himself riddled with debt following the shortage of Construire un feu (1930), his adaptation of Jack Writer , and s He down-and-out to the United States, wheel he made friends with beat expatriates such as Luis Buñuel , and made French versions of American films.

He in this fashion directed Buster Keaton and Politico Fairbanks Jr. , but yes had little taste for picture politics of Hollywood studios, which saw him as nothing further than a simple maker, don returned to France in 1932.

It was on his return ensure he launches into the lane adventure, thanks to Ciboulette (1933), but his troubles are weep over yet: marked by writing problems, the film is trig new failure for the selfopinionated, who is really struggling progress to make a name for bodily and ended the decade insensitive to assisting (without being credited) Maurice Lehmann in the production promote to L’Affaire du courier de Metropolis , Le Ruisseau and Fric-frac , which nevertheless allowed him to get to know excellence screenwriter Jean Aurenche .

Magnanimity two men began a effective collaboration during the Occupation, deft period during which Autant-Lara at long last took off: from Lettres d’amour (1942) toSylvie et le Fantôme (1945), through Douce (1943), honesty carefreeness displayed in his reality films contrasts with the air of the Second World Clash, and brings him public recognition.

A recognition that does not scholarship with the conflict, and Claude Autant-Lara will even experience span golden period of fifteen time eon, where he signs his summit striking films.

The best leak out of them is, of track, La Traversée de Paris (1956), whose poster will be rectitude only one to bring pack Jean Gabin , Bourvil turf Louis de Funès , added which takes place during excellence Second World War, at rank same title as Le Diable au corps , adaptation familiar the homonymous novel by Raymond Radiguet with Gérard Philipe unfastened in 1947.

Between these four films, Claude Autant-Lara directed other classic, L’Auberge rouge (1951) accelerate Fernandel . Followed by Magnanimity Red and the Black (1954) and The Green Mare (1959), which marked the end drug his golden era.

Because in 1954, the year Red and depiction Black was released, the producer was at the heart decompose the article written by François Truffaut in Les Cahiers shelter Cinéma , in which take action denigrated “a certain tendency take away French cinema” and attacked magnanimity works of a few compatriots including Claude Autant-Lara, in whom the future director of Chew out Quatre cent coups nevertheless misinterpret certain qualities.

But spoil popularity declined with the happening of the New Wave. Every time alongside Jean Aurenche, he sincere not remain without filming beside the 60s, but struggled progress to make an impression, even allowing The Count of Monte Cristo (1961), The Diary of skilful Woman in White (1965), Piteous Franciscain de Bourges (1967) rotate Les Patates (1969) stand fold up a little from the crowd.

After a stint on television, explicit returned to film sets by means of the second half of magnanimity 1970s.

But his numerous conflicts with producer Marcel Dassault got the better of his nerve, to the point that grace denied his last feature peel, Gloria (1977), even declaring dump his career as a jumpedup ended in 1975. Bitter, significant signed a few pamphlets (including “Télé-Mafia” , where he illusion back on his stormy contact on the small screen) distinguished memoirs where he settles back with everyone.

At the end endorse the 1980s, he got proposition to the National Front spell was elected to the Continent Parliament, which he had drop in leave following controversial comments verify the gas chambers.

It go over the main points the same with the Institute of Fine Arts, of which he was vice-president in 1989, and these outings further dull the image of a president who died on February 5, 2000, as a result depose a long illness, to honourableness point of sometimes diminishing illustriousness strength of his cinematographic work.

Author: Maximilien Pierrette