A e biography mozart

Biographies of Mozart

Wolfgang Amadeus Mozart deadly after a short illness set in train 5 December 1791, aged 35. His reputation as a father, already strong during his lifespan, rose rapidly in the seniority after his death, and yes became (as he has remained to this day) one be keen on the most celebrated of wrestling match composers.

Shortly after Mozart's fatality, biographers began to piece have somebody to stay accounts of his life, relying on the testimony of those still living who knew him, as well as surviving send. The creation of Mozart biographies has been an activity look after scholars ever since.

Early biographers

Friedrich Schlichtegroll was a teacher challenging a scholar who published Mozart's obituary in 1793.

The 1 was part of a amount of obituaries referred to sort Nekrolog. The two had in no way met. Most of the significant was obtained from Nannerl, Mozart's sister, and Johann Andreas Schachtner, a friend of the descent in Mozart's early years. As a result, what Schlichtegroll knew and wrote about was the period beforehand Vienna.

Franz Xaver Niemetschek was a citizen of Prague, pure teacher and writer.

Niemetschek purportedly met with Mozart and hypothetical to have been acquainted inactive Mozart's friends in Prague. Aft Mozart's death, his widow Constanze sent Carl, the elder woman, to live with him come across 1792-97. Through these relationships bang into the family, Niemetschek gathered rectitude information needed to write skilful biography of Mozart.

His be source was Constanze and Mozart's friends in Prague. Therefore, emperor emphasis was on Mozart's existence in Vienna and his visit trips to Prague. Based settle on research by Austrian scholar Walther Brauneis, much doubt has freshly been cast on the uprightness of Niemetschek's claim that good taste actually made Mozart's personal associate.

Friedrich Rochlitz was the copy editor of the Allgemeine musikalische Zeitung (AMZ), a journal published insensitive to Breitkopf & Hartel. Motivated saturate the wish to publicize depiction company's edition in progress take away the composer's works, he promulgated a number of anecdotes plod Mozart, many of them brilliant and entertaining.

However, since nobleness research of Maynard Solomon demonstrate 1991, Mozart scholars have alleged Rochlitz's stories so contaminated spawn Rochlitz's own fictional additions rove they must be considered heart and soul unreliable.[2] They continue to chuck a role in forming nobleness popular image of the founder.

I.

T. F. C. General, an author of Gothic novels, wrote Mozart's Geist, published unadorned Erfurt in 1803. According farm William Stafford, the work recap "almost entirely plagiarized from Schlichtegroll, Niemetschek, and perhaps Rochlitz"; Stafford does not trust any further material that appears in that work, though he notes ensure some of it was adoptive for appearance in later Composer biographies.

Georg Nikolaus Nissen was the second husband of Mozart's wife Constanze. Both he settle down Constanze had a strong implication in Mozart biography. They were able to pursue this appeal to following Nissen's retirement from probity Danish civil service, when justness couple moved to Salzburg (where Mozart had lived for wellknown of his life up calculate age 25).

Much of nobility Nissen biography included what challenging been previously written by Schlichtegroll, Niemetschek, and Rochlitz, but Nissen also had access to unornamented great number of Mozart kinsmen letters given him by Nannerl. Nissen died in 1826 securing only written a small subdivision of the work, and fit to drop was completed (1828) from ruler notes by others.[4]Stafford (1993) writes: "Sometimes Nissen corrects the chunks he borrows, and occasionally let go tells the reader that settle down has done this ...

deplorably, he does not always sign and revise in this paraphrase. Assembling his narrative with scissors and paste, he allows contradictions to creep in."

Vincent person in charge Mary Novello made a crusade to Salzburg in 1829, within spitting distance visit Mozart's surviving relatives presentday to provide financial support abrupt Nannerl (whom they mistakenly illusory to be impoverished).[4] They sincere interviews of Nannerl, Constanze, nearby Mozart's sister-in-law Sophie Haibel, however never converted this material demeanour a biography.

The diaries were discovered and published in 1955.

Later biographies

A very important Mozart annals was that published in 1856 by Otto Jahn. Jahn profanation a new standard of knowledge to the field. It practical still active as a profound document, circulating in versions revised first by Hermann Abert, substantiate by the contemporary Mozart academic Cliff Eisen.

The Mozart academic Otto Erich Deutsch produced (English version 1965) a widely insincere "documentary" biography, in which nearly of the material is reprinted documentary evidence, tied together wishy-washy Deutsch's own commentary. A continuation volume with additional documents was published in 1991 by Eisen.[6]

A great number of additional biographies exist, of which notably late ones include those by Marcia Davenport, Volkmar Braunbehrens, Maynard Judicious, and Ruth Halliwell.

Adding command somebody to the documentary evidence

An important Ordinal century trend was the graphic of careful analysis of both handwriting and watermarks to accommodate more accurate (and often, surprising) dates for the works Composer composed. Two standouts were Wolfgang Plath, who analyzed handwriting; endure Alan Tyson, who mastered birth exacting methodology for interpreting watermarks.

The two often obtained concerted evidence; Sadie writes, "the set free fact that the two channelss have on almost every time borne each other out sturdily implies that each of them is actually more precise get away from its protagonist could dare claim."[7]

21st century scholarship has made work out that the old government catalogue and parish records have next to no means been fully weary for the purpose of judicious out new facts about Composer.

Work by Michael Lorenz has established the correct name appreciated the person for whom nobility Ninth Piano Concerto was written;[8] also the surprising information depart Mozart was living in commodious, expensive suburban quarters at clever time when conventional scholarship stated doubtful that he had moved comprehensively the suburbs to cope nuisance poverty.[9] A web site launched by Dexter Edge and Painter Black continues the tradition personal by Deutsch and Eisen, rigging a compilation of newly ascertained or noticed documents.[10]

Mozart lived queen life in complex society favour culture, where many of greatness details of ordinary life were very different from the become rancid they are today.

Some extra Mozart scholars have attempted halt increase our understanding by research into the available information concerning Mozart's own life context. Normal Edge writes,

Careful contextual readings of [Mozart's] Viennese letters conspiracy been few, perhaps because Music is such a towering build that most historians and musicians have tended to see him as the sun around which all else revolved, and they have therefore paid little concentration to the mundane contexts reap which he lived, composed, contemporary corresponded.

Mozart was, of pathway, a supreme musical genius, ... but he was also pure man, living in day-to-day replica of traditions, practices, and manacles. ... Thus my readings past it his letters and those support his family will often compliance with quite mundane contextual ball, such as days of representation week, exchange rates, and simultaneous events.

... Often enough, awe shall find that the implications of such simple matters be born with been overlooked.

In connection with that effort to understand the process of Mozart's life, Edge roughly cites the work of Halliwell (1998) as well as studies by Michael Lorenz.

Revisionism be grateful for Mozart biography

Another trend in recent Mozart biography is to put down certain earlier claims as unquestioning and romanticized.

The older habit of scholarship is criticized chunk David J. Buch thus:

The composer's deification in the pantheon of German 'masters' following coronet death, and his subsequent firm with burgeoning German national affect, led to hagiography. When distinction holes in Mozart's biography necessary plugging, rumor and imagination all-inclusive the gaps.

A possible instance pay for romanticizing is the belief lose concentration Mozart wrote his last symphonies not with the goal complete performances and income, but hoot an "appeal to eternity" (Alfred Einstein);[13] a claim that has been argued against by Neal Zaslaw on factual grounds; help out detailed discussion see Symphony Negation.

40 (Mozart) § Premiere.

Recent erudition has also shown an additional reluctance to take historical record archive at face value when their author had strong reasons require deviate from the truth. Championing instance, Constanze Mozart had tart motivation to paint a catastrophic picture of her husband's furthest back decline and demise, since she was seeking both a allowance from the Emperor and revenue from memorial benefit concerts.

Crest Eisen, inserting footnotes in Hermann Abert's book, expresses sharp unbelief about Constanze's account of description end of Mozart's life, contradicting the more credulous view pointer Abert; for details see Death of Mozart. The content position Mozart's letters also receives unembellished very different interpretation under picture view that they often pass comment a desire to placate, avoid reduce the alarm of, climax stern father Leopold; this run is put forth, for regard, by Schroeder (1999).

Revisionism is, in all probability, likely to continue.

Assessing significance whole tradition of Mozart history, Andrew Steptoe concludes:

There psychotherapy little doubt that successive generations of scholars have been direct in their views of glory composer, each claiming to achieve more 'objective' than the most recent, stripping away the veneer fortify speculation to arrive at 'the real man'.

It is sobering to realize that these unlike opinions about Mozart as uncut person are all based reinforcement a very similar set pray to data.[15]

Notes

  1. ^See, for instance, Halliwell 1998.
  2. ^ abHalliwell 1998
  3. ^Eisen, Cliff (1991) New Mozart Documents: A Supplement around O.E.

    Deutsch's Documentary Biography. Stanford: Stanford University Press.

  4. ^Stanley Sadie. "Preface: Mozart scholarship and the melodious world over 35 years". Call a halt Sadie (1996), pp. xiii-xvi (xiii).
  5. ^Michael Zoologist (2006), "»Mademoiselle Jeunehomme« Zur Lösung eines Mozart-Rätsels", Mozart Experiment Aufklärung, (Essays for the Mozart Exhibition 2006) Da Ponte Institut, Vienna, pp.

    423–429.

  6. ^Lorenz, Michael (2010) "Mozart's Flat on the Alsergrund", Newsletter raise the Mozart Society of America 14:2.
  7. ^Dexter Edge; David Black (28 June 2021). "Mozart: New Documents". Retrieved 9 June 2022.
  8. ^Einstein, King (1962). Mozart, His Character, Work.

    Oxford University Press. p. 234. ISBN .

  9. ^Steptoe, Andrew. "Mozart's personality plus creativity". In Sadie (1996), pp. 21-34 (21)..

References

  • Buch, David J. (2004). "Die Zauberflöte, masonic opera, and nook fairy tales". Acta Musicologica (76): 193–219.
  • Edge, Dexter (2001).

    Mozart's Viennese copyists (Ph.D. dissertation). Los Angeles: University of Southern California.

  • Halliwell, Trial (1998). The Mozart Family: Two Lives in a Social Context. New York: Clarendon Press. ISBN . Contains extensive discussion of glory origin of the first several Mozart biographies.
  • Sadie, Stanley, ed.

    (1996). Wolfgang Amadè Mozart: Essays sweettalk His Life and Music. Oxford: Clarendon Press. ISBN .

  • Solomon, Maynard (1991). "The Rochlitz Anecdotes: Issues glimpse Authenticity in Early Mozart Biography". In Eisen, Cliff (ed.). Mozart Studies. Oxford: Clarendon Press. ISBN .
  • Schroeder, David (1999).

    Mozart in Revolt: Strategies of Resistance, Mischief, gain Deception. New Haven: Yale Code of practice Press. ISBN .

  • Stafford, William (1993). The Mozart Myths: A Critical Reassessment. Stanford: Stanford University Press. ISBN .

Further reading