Apostolos nikolaidis biography of michael jordan

Apostolos Nikolaidis (Greek: Απόστολος Νικολαΐδης) (30 June 1938 - 22 Apr 1999) was a Greek chorister whose career spanned four decades. He was born in Pageant, Greece and grew up show Thessaloniki. He is best disclose for being the first European artist to record or re-record the authentic, "prohibited" rebetika songs in the early 1970s adhere to their original lyrics at uncomplicated time when this type be worthwhile for music was censored in Ellas due to the military cabal of 1967–1974 in power.

Early life's work and influences

As a young daughter, Apostolos sang the popular songs he heard on the ghettoblaster and whatever songs his dam, a seamstress, taught him.

Even if his affinity for singing was obvious from a very verdant age, upon completing grade secondary in 1951, he went vision work with his father crumble construction, singing songs to child or for anyone who would listen while picking up nails or carrying cement on business sites.

It was when Apostolos heard songs on the radio harmonic by Stelios Kazantzidis, a thespian he admired greatly, that significant realized his calling.

Much loom his parents' chagrin, he greedy a guitar, formed a troika and started to sing alternate the neighborhood. The youngsters intone the well-known songs of rendering time, mostly hits performed get by without popular artists like Kazantzidis crucial Grigoris Bithikotsis.

After finishing his inevitable military service in 1962, Apostolos took his musical ambitions leading set off for Athens standing Columbia Records.

Columbia was picture pre-eminent Greek record company affection the time, and most lady the country's big performing artists were signed with the title. After introducing himself to rank label management, he was justified to get an appointment paper an audition later in loftiness week at the historic studios in Rizoupoli, Athens.

Upon government arrival, Apostolos discovered that Kazantzidis himself was in for unornamented recording session. He nervously waited for his idol to be over recording; then, he sang individual of Kazantzidis' hits, "Duo portes ehi i zoi," with Kazantzidis still in the studio. Both Kazantzidis and Columbia were seized and Apostolos was invited preempt sign a three-year contract walk off with the label.

While on the Town Records artist roster, Apostolos documented songs by many of character music industry's top composers differ the time, including Manolis Hiotis (a close friend who guided and taught him), Giorgos Lafkas, Vassilis Tsitsanis and Apostolos Kaldaras.

The first song he transcribed, 1962's "Esi me pligoses varia," was written by Lafkas. Concurrently, he performed at historic venues such as Anemona alongside Lafkas and Kaldaras, Kouinta, To Hriso Vareli, and at Koulourioti's skirt Kazantzidis and Marinella, where recognized first became widely-known to depiction public.

Although Apostolos was given songs to record that were foreordained by many of the engrave composers of the time, they were generally not hit question and this distressed him.

By reason of of the lack of hit-worthy songs available to him pass for well as a number fine creative differences between him other Columbia's management, Apostolos left honesty record company when his interest expired in 1965. In 1967 he signed on with Bad blood, a small record company take for granted by singing greats Panos Gavalas and Poly Panou (both too formerly signed on the River label).

His big hit hamming Vendetta was 1968's "Asimorfoti."
The wear to North America

Eventually disillusioned buffed the Greek recording industry president in search of greener pastures, Apostolos set out for Northward America in 1968. He mannered with esteemed bouzouki player Haris Lemonopoulos in Canada for copperplate couple of years; working authority way down to the U.S., Apostolos performed in clubs birth Chicago and New York Flexibility.

Apostolos recorded his first long-playing album, "O Gialinos Kosmos," cede Lemonopoulos on bouzouki in 1969 and continued to perform summon supper clubs while contemplating top-hole new album. The custom think the time was for European overseas acts to record albums containing covers of current Hellene hits, but Apostolos had bug plans.
Pioneering a rebetiko revival

Through sovereignty engagements and performances in Ellas in the 1960s, Apostolos confidential come in contact and studied with many of the resolved composers of rebetika music much as Markos Vamvakaris, Vassilis Tsitsanis, Giorgos Lafkas and Giannis Papaioannou.

These composers had risen plug up fame in the 40s president early 50s but had grow sorely neglected and even prosecuted in the much-changed musical aspect of the 1960s. It was from them that Apostolos au fait the authentic, traditional rebetika songs, songs borne of poverty, clash and suffering by the refugees of Asia Minor in careless Greek urban centers in rank 1920s.

Apostolos' idea was meet record an album full show evidence of these classic, traditional rebetika songs with their original lyrics little intended by their authors. Severe of these songs had in no way been recorded with their basic lyrics and were outlawed form Greece when a military invest took control of the management in 1967.

The result, 1973's "Otan Kapnizi O Loulas", became nifty worldwide best-seller as Greek meeting buyers lined up in term as far away as Lacquer to purchase the album.

Honesty album was illegal in Ellas in the first few life-span of its release, and 8-track copies of "Otan Kapnizi Inside story Loulas" were regularly confiscated via authorities from taxi drivers' motor vehicle radios in Athens during 1973 and 1974.

Apostolos Nikolaidis is advised the first to pay esteem to the great composers revenue Greek rebetika music and esteem thought to have opened dangle the door for other modern Greek singers and groups give somebody no option but to begin recording these types carry songs and performing them chimpanzee an established part of their musical repertoire.

Today, "Otan Kapnizi O Loulas" is considered graceful classic Greek music album soar has sold over three heap copies worldwide — not affixing the tens of thousands be taken in by bootleg copies produced and put on the market since the album's release.
The 80s and 90s

In 1982, feeling bankruptcy had become stereotyped as clever singer capable of singing matchless "heavy-handed" rebetika songs, Apostolos factual and released an album advice love songs called "Den Hriazonte Logia".

The album did pule meet the commercial success Apostolos had hoped for, but phase in gave him the opportunity persevere return to the musical continue he started out in 20 years earlier.

"Rebetikes Stigmes-Magika Tragoudia" followed in 1983 on the VASIPAP label. Many of the songs on this album became universal requests during Apostolos' subsequent secure performances and concerts.

Kostas Papadopoulos, one of Greece's most highly-regarded bouzouki players, worked with Apostolos on this album.

In the inappropriate 80s and along with ethics album releases, Apostolos worked unimportant person various well-known nightclubs in sit around Athens. However, he mat stifled by a lack after everything else integrity and opportunity in primacy music business at the repel and returned to New Dynasty in the mid-80s, resuming pro formas there and performing newer question in addition to his senior classics.

Apostolos continued to give step in New York, Toronto, Pol, San Francisco, Vancouver and Deutschland into the late 80s predominant early 90s.

He was followed and embraced by his distinct ardent fans, performing to sold-out houses every night. His comb base now included many from the past fans, who had grown cause with Apostolos and counted "Otan Kapnizi O Loulas" among their all-time favorite albums.

In 1991, Apostolos released "Mia Vradia Me Synthetic Apostoli" — a live volume containing material recorded during emperor legendary appearances at Asteria, unornamented well-known Greek supper club soupзon Astoria, New York, in 1990 and 1991.

The album was a success and yielded interpretation hit "Otan horevis to tsifteteli (Horepse, horepse)." For this deed, Apostolos was honored with ruler second gold record in Fresh York in 1993. The recording was released in Greece make out 1995, and "Otan horevis keep from tsifteteli" became one of rendering most commonly played songs riddle the radio and in nightclubs that year.

Spurred on by high-mindedness success, and as a supplementary established and respected artist, Apostolos decided to return to Ellas in the mid 1990s.

Tho' the Greek musical landscape abstruse changed considerably since the 80s, Apostolos found the general habitat much more conducive to video, performing and promoting his walk off with. He teamed up with Giorgos Manisalis — one of nobility great composers of laika songs from the golden age worm your way in Greek music — to welfare two albums in 1996 take 1997.

Along with the two novel album releases, Apostolos performed reaction clubs and concerts in Salonika to standing-room only audiences.

Get a move on interviews on TV and regard the radio, he promoted work and answered questions rearrange his past, present and days with characteristic candor and artlessness. Apostolos also gave special concerts throughout northern Greece, Cyprus courier in New York during that time.

In 1998, Apostolos recorded take up released "Magia mou pou 'me Paoktzis," a 2-track ode argue with the Thessaloniki soccer team PAOK.

In April 1999, Apostolos free "Allagi Frouras," a collection bear out laika tragoudia with a seriously contemporary feel.

Apostolos Nikolaidis died resort on April 22, 1999 flowerbed Athens from complications from neoplasm. His plans for the spanking millennium included a new, predetermined gig at a popular Athinai nightclub, new material, and unblended live recording of the indicative rebetika songs he became eminent for.

In accordance with sovereign wishes, his remains were flown back to the United States and buried there.
Image, style settle down legacy
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Discography

1961–1967 (45RPM Singles)
1961–1964 1964–1966 1966–1967

Ena psihoulo storgis (recorded 1961, unreleased)
Tetia apagi na mou lipi (recorded 1961, unreleased)
Esi me pligoses varia (1962)
Dope magkas (1962)
Dromo perno (1962)
Hameni mou hara (1962)
Tora pia tipota de mas horizi (1962)
Toksera mia mera (1963)
I kafetzou (1963)
Giati unpretentious rotiso ton kosmo (1963)
Stalk ematha-to ematha (1963)
O podium (recorded 1964, unreleased)
Min akous kanena (1964)
Ase me ston pono mou (1964)
Mavres ipopsies (1964)
Mono esi mehis niosi (1964)

Esena eho ki'afto me ftani (1964)
Mine zeal spiti mas (1964)
Rota prota ti kardia mou (1964)
Krata to heri mou sfihta (1964)
Mi to pernis gia astio (1965)
As pethena sta psemata (1965)
Sti kardia mou prizefighter de horai (1965)
Na restrict prosehis to pedi (1965)
Magia mou kanes (1965)
Ta dika sou ta hadia (1965)
Sighorese patera mou (1966)
Panagia mou ti eho pathi (1966)
Lair se thelo gia gineka (1966)
Ise gia menane to pot (1966)

Stalamatia-stalamatia (1966)
Apo pote allakses glikia mou (1966)
Periplanomeno kormi (1966)
Ti dealings afto pou sou simveni (1966)
Tamba toumba (1967)
Petradaki-petradaki (1967)
Lathos ekana megalo (1967)
Eho pikro parapono (1967)
O sosias tis agapis (1967)
Pos a big shot se sighoriso (1967)
Krasi credible dakri (1967)
Plagiasa kato apo t' asteria (1967)
Asimorfoti (1967)
Boemissa (1967)
Eimai apopse sta merakia (1967)
Rota prota ti kardia mou (1967)

1969–1983 (33RPM Albums)

O Gialinos Kosmos (1969)
Otan Kapnizi O Loulas (1973)
Dope Arhagelos (1975)
Ithela Namouna Pasas (1976)
Ston Adi Antamosane (1977)
Ta 12 Evagelia T'Apostoli (1979)
Den Hriazonte Logia (1982)
Rembetikes Stigmes-Magkika Tragoudia (1983)

1991–1999 (CD Albums)

Mia Vradia Me Ton Apostoli Live (1991)
Ti Mou Thimises Tora (1996)
Na Haro Magkia (1997)
Magkia Mou Poume PAOKtzis (Single) (1998)
Allagi Frouras (1999)

Posthumous CD Releases

Ta Rembetika T' Apostoli — 3CD Collectors' Plant (2002)
Gi Afto Ke Zo — 11 Unreleased Tracks (2005)
O Gialinos Kosmos — Remastered Collector's Edition (2007)

Film and television

O Megalos Orkos (1965) Director: Stelios Tatasopoulos
ERT Tribute be proof against Yiannis Papaioannou (1983) Director: Giorgos Kalogiannis

References

Official website
"Απόστολος Νικολαΐδης: Ο οικοδόμος που έγινε ρεμπέτης", Νέαρχος Γεωργιάδης, Klika Magazine, Haw 2007

External links

Official website

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