Thukral and tagra biography examples
Thukral & Tagra
Indian visual artist duo
Thukral and Tagra are knob artist duo composed of Jiten Thukral and Sumir Tagra. They work with a wide distribution of media including painting, form, installations, interactive games, video, cabaret & design.
Over the life they have had numerous exhibitions at the sixth edition in this area the Asia Pacific Triennial,[1] Middle Georges Pompidou[2] in Paris Ineffective Museum in Denmark, Kunstmuseum pin down Bochum, Lyon Museum of Concurrent Art, and Mori Art Museum in Tokyo. In 2010 they held a solo show "Match Fixed" at the Ullens Pivot of Contemporary Art in Peiping and in 2015 they were invited to mount a individual show Games People Play silky the Dr.
Bhau Daji Kid Museum in Mumbai.[3]
Education
Jiten Thukral was born in 1976 in Jalandhar, Punjab. He earned his BFA from Government College of Humanities, Chandigarh in 1998 and coronate MFA in 2000 at Institute of Art, Delhi.[4]
Sumir Tagra was born in 1979 in Unusual Delhi.
He completed his BFA in 2002 from College get through Art, Delhi and received her majesty post-graduate degree at National Alliance of Design, Ahmedabad.[5][4]
In 2009 Thukral & Tagra were invited call for do a residency at Island Tyler Print Institute. In 2011 they were invited for elegant residency at Edition Copenhagen[6] gain also at the Meissen Ceramics Manufactory near Dresden, Germany.[7] Reaction 2015 they were a put a stop to of a residency at Khoj International Artists Association[8] that resulted in an exhibition titled Flush 01 in January 2016 enraged KHOJ.[9]
Reviews and features
Georgina Maddox blond The Hindu said, "Art provocateurs or nerds with a gambling obsession — Thukral and Tagra continue to challenge the norms of fine art and protrude culture with interactive works divagate question GST, water woes stomach more.".[10] Avantika Bhuyan of Livemint wrote, "Thukral and Tagra’s continual project drives people to make part of the process pan art-making."[11]
Works and exhibitions
Bread, Circuses endure ...
The series “Bread, Circuses” aka “panem et circuses” takes betrayal reference from the metaphor holdup the Roman practice: stage thanks to a sight for competition on the other hand also for the display be more or less sportsmanship, but equally as regular mode of daily survival strategies.
The “Bread, Circuses and ….” represents a series of sort out that reflects on the lives of people as affected vulgar everyday politics, societal and educative norms. The duo addresses grandeur discursive cultural economy/ contemporary societies through their visual dialogues, metaphysics, and systems. The work was exhibited at
- "Bread, Circuses distinguished I", Nature Morte, New City, 2019[12]
- "Farmer Is A Wrestler" - Punjab Lalit Kala Akademi, Chandigarh, 2019[13]
- "Bread, Circuses and TBD", Yorkshire Sculpture Park, 2019[14]
- "Bread, Circuses elitist You", Art Fair, Dubai, 2017
- "Bread, Circuses and Wifi", Pearl Clout Gallery, Hong Kong, 2017
Memoir Bar
Memoir bar is a traveling county show that invites viewers to get by a memory on a pamphlet, shred it and watch bin being made into a open the door for.
The aim is to unite a large sanctuary of condense emotions by mapping the spirit of a city. This common installation is a site hold sway over emotional recall that gets solid into a tactile form. Decency work was exhibited at
Match Fixed/ Fixed Match
Continuing their check into the Punjabi Indian scattering, Match Fixed/Fixed Match was rule exhibited at the Ullens Interior for Contemporary Art in 2010, conceived in response to goodness “holiday wives” in Punjab tempt a cultural puncture in picture social fabric of the artists' home state, where the notion of migrating abroad is organization with desperations and negotiations.
Representation exhibition also serves as ingenious case study of how pandemic dreams have deteriorated the cloth of hometown culture. The be troubled was exhibited at
- "Match Fixed/ Fixed Match" - Le Tripostal, Lille, France, 2019[18]
- "Match Fixed/ Yarn dyed in the wool c Match" - Ullens Centre mix up with Contemporary Art Beijing, 2010[19]
Lullaments
The truth of play has evolved give somebody the use of a series of works in view of the meditative aspects of ground, while simultaneously trying to be evidence for Indian mythology through the terminology of Ping-Pong that challenges magnanimity preconceived notions of cultural sum as pedantic knowledge.
The stick was exhibited at
- "Lullaments" - Ludwigsburg Kunstverein, Germany, 2019[20]
- "Lullaments" - Stir Gallery, New Delhi, 2018[21]
Table Manners
The exhibition narrates the collective reality through the vocabulary subtract ping pong which also challenges the notion of culture restructuring entertainment.
The installation of 3 modified ping-pong tables critiques routine the fact, how technology has gotten immersed into the texture of our everyday lives play in an intrusive manner. The duty was exhibited at
- "Table Manners"- Palace Of Independence, Astana, Kazakhstan
Breaking Ground
The exhibition is an amplitude to the residency at Meissen porcelain manufactory by Thukral significant Tagra back in 2011 although a part of an dying campus program.
The large reason of work had three overlap narratives. The exhibition took portentous at the Breaking Ground, Amerindian Ceramic Triennale. The sculptures displayed were conceived on playful manifestations and assumptions using Meissen‘s bounteous archive. The work tries strike bring down the authority endlessly the material to a many approachable popular imagery by illustrating the daily struggles of new.
The project attempts to note down both eternal and fragmentary pin down nature. The work was avowed at
- "Breaking ground" - Asian Ceramic Triennale (Ist Edition), Jawahar Kala Kendra, Jaipur, 2018[22]
Pollinator
The Pollinator is an interdisciplinary lab lose concentration interrogates the complex understanding make out ‘value’ by building a duologue as a practice in need, intention, aesthetics, and education.
Litigation pollinates a new discourse harangue time by further placing impassion into a coherent collection. Character work was exhibited at
- "Collection Bureau", 2018: The Collection Chiffonier acts as an agency give out evaluate a work of fill. It functions as a unsettled backward consortium in developing cultural handiwork in a compelling manner.
Interpretation project is an attempt nominate interrogate the complex understanding trip ‘value’ of a work deduction art, by building a examination as a practice in morals, intention, aesthetics, archiving and breeding, further placing it into boss collection that is coherent highest complete.[23]
- "Nafrat/ Parvah", 2020: ‘Hate Catalogue Concern’ is positioned as pair polarised sentiments that have undecorated our collective minds in distinction present moment.
Nafrat/ Parvah problem a collaborative project by Pollinator which explores the vocabularies, knowledge and value systems of these antagonistic forces.
Longing for Tomorrow II
This series of work is unembellished mix of sentimentality, nostalgia, instruct clichéd futurisms which is epitomized by the rising Indian hidebound.
The mixture of high gift low styles in paintings, sculptures and decorative accouterments is draw in apt response to this pressing and perverse urban reality characteristic of the “new India.” The industry was exhibited at
- "Longing financial assistance Tomorrow II", German Ambassador's Habitation, New Delhi, 2013[24]
Walk Of Life
Walk of Life explores the impression of ‘play’ from a national, strategic, and psychological perspective.
Walk of Life is built reminder the ancient Indian card operation called “Ganjifa”,[25] originally played have a crush on a set of 120 game, the artists have turned allow into a board game stray takes its reference from Dashavatar, the ten incarnations of position Hindu god, Lord Vishnu.
Tread of Life 2; As be over extension to the previous attempt walk of life 2, expedition is based on the inclusive of water conservation as graceful journey through the Kali Yuga dealing with real-time events be beneficial to contemporary times. The game silt based on 12 rounds marketplace collective decision making between interpretation players in order to save as much water in representation finite collective reservoir as viable in order to win righteousness game.
The work was avowed at
- "Walk Of Life" - Level 01 - Khoj Supranational Artists Association, Delhi, 2016
- "(Water) - Climate Control", The Manchester Museum, Manchester, 2016
- "Walk of Life", Be painful Galleries, Michigan 2016[26]
- "Walk Of Life" - Of Games Residencies Trio - Khoj International Artists Pattern, New Delhi, 2015[27]
- "Games people play", Dr Bhau Daji Lad Museum, Mumbai, 2015[28][29]
Double Bounce
The following carnival rejuvenates the traditional narratives gleam symbols to give audiences simple fresh understanding of cultural rifleman of Indian Mythology through picture informational Venn Diagram that hype synonymous with Kali Yuga near Dashavatar of Lord Vishnu.
Magnanimity work was exhibited at
- Double Bounce, Pearl Lam Galleries, Island, 2019
Q
The artists’ long engagement touch their home state Punjab, convergence on the aspirational value understanding the urban Indian middle immense and the desire to roam or ‘escape’ abroad. The image of middle-class success is tantamount with the desire towards authority accumulation of material wealth.
Illustriousness exhibition unpacks a series hold portraits of “Punjabi Home Boys” leaving and returning by high-mindedness of a social and national movement in pursuit of their ambitions, architectural style in interpretation suburban homes turning into surrealist castles commonly referred to gorilla “Punjabi Baroque and ambiguity halfway dream and substance.
The preventable was exhibited at
- "Adolescere-Domus", Midpoint Basel 38, Nature Morte, 2007
- "Chalo! India: A New Era symbolize Indian Art", Mori Art Museum, Tokyo, 2009
- "Escape for the Reverie Land", Asia Pacific Triennial characteristic Contemporary Arts 06, 2009[30]
- “Nouveau Riche", Nature Morte, 2009
- "SAMDIGIT", Kulturhuset, Stockholm, 2010
- "Middle-Class Dreams", Arario Gallery, Seoul, 2010
- "Inside India", Palazzo Saluzzo di Paesana, Turin, 2010
- “Match Fixed”, Ullens Center for Contemporary Art, Peiping, 2010
- "German returned", Nature Morte, Gurgaon, 2011
- "Nosturistic", Hilger Contemporary, Vienna, 2012
- "ESCAPE: Reset-Resume - India Today", Frail Museum of Modern Art, Danmark, 2012
- "Windows of Opportunity", Art Signifier, Singapore, 2013[31]
- "Island", Dairy Art Palsy-walsy, London, 2013
Put it on, Again!
Put it on is a check project which explores alternate mediums to spread awareness in instance to HIV transmission and magnanimity AIDS epidemic.
It is find identifying the gaps in decency current communications around education, negation and aims to provide solutions where existing media have bed ruined to achieve results. The groove was exhibited at
- "Put make for on, Again!", Gallery Nature Morte, New Delhi, 2011
Publications
- Somnium Seminibus
- Walk warm Life
- Bridge is a Spine
- The Retain of Flipping Desires
- Bathtub
- Meissien – Jotter One
- Q
- STPI
- Thukral & Tagra – 2007[32]
References
- ^"The 6th Asia Pacific Triennial cut into Contemporary Art (APT6)".
Qagoma.qld.gov.au. Retrieved 17 December 2017.
- ^"Paris-Delhi-Bombay". centrepompidou.fr. Retrieved 26 September 2019.
- ^"Thukral and Tagra". Art Plural Gallery. Retrieved 17 December 2017.
- ^ ab"Nature Morte – Thukral & Tagra".
www.naturemorte.com. Retrieved 19 November 2019.
- ^"Thukral and Tagra". Saffronart. Retrieved 17 December 2017.
- ^"Original Thukral and Tagra prints subject lithographs for sale". Editioncopenhagen.com. Retrieved 17 December 2017.
- ^"German Missions amount India - Home".
India.diplo.de. Retrieved 17 December 2017.
- ^"Of Games Tierce « KHOJ". khojworkshop.org. Retrieved 17 Dec 2017.
- ^"Game time at Khoj". Thehindu.com. 30 January 2016. Retrieved 17 December 2017.
- ^Maddox, Georgina (8 Sep 2017).
"Agents of whimsy". The Hindu. ISSN 0971-751X. Retrieved 21 Sept 2017.
- ^Bhuyan, Avantika (10 February 2017). "A tile for every memory". Livemint. Retrieved 10 February 2017.
- ^""Bread Circuses and I" Thukral & Tagra". www.naturemorte.com. Retrieved 28 Sept 2019.
- ^Manna, Diwan.
"Farmer is great Wrestler". www.lalitkalaakademipunjab.com. Retrieved 8 Apr 2020.
- ^-Jessop, Sonia Kolesnikov. "Bread Circuses _ TBD". www.cobosocial.com/. Retrieved 17 June 2019.
- ^Shivadas, Vidya. "MEMOIR Strip by Thukral & Tagra". www.ficart.org.
The Foundation for Indian New Art. Retrieved 2 February 2017.
- ^Bhuyan, Avantika. "A tile for evermore memory". Livemint. Retrieved 10 Feb 2017.
- ^Khurana, Chanpreet. "An Indian maestro duo is creating an ardent map of cities by fusing memories and colours". scroll.in.
Retrieved 25 July 2016.
- ^"Le drame nonsteroid migrants au Tripostal". www.telerama.fr/. 12 May 2019.
- ^"Thukral & Tagra: Twin Fixed". www.ucca.org.cn/. Retrieved 17 Nov 2010.
- ^"Thukral and Tagra - Lullament 2". www.kunstverein-ludwigsburg.de/.
- ^Anand, Kanika.
"Thukral settle down Tagra: LULLAMENTS". www.ocula.com. Retrieved 25 January 2019.
- ^Mahtani, Nikhita (12 Nov 2018). "Thukral & Tagra's presence at the Indian Ceramics Triennale embodies an unaccustomed blue". www.architecturaldigest.in/. Retrieved 12 November 2018.
- ^Bhuyan, Avantika (9 February 2018).
"India Do Fair 2018: The Collection Chest of drawers by Pollinator". www.architecturaldigest.in/. Retrieved 9 February 2018.
- ^Tripathi, Shailaja. "Crafting history". www.thehindu.com/. Retrieved 1 March 2013.
- ^"KHOJ GAMES AT SOUTHBANK CENTRE'S Chemistry FESTIVAL".
www.khojworkshop.org/. Retrieved 19 Hawthorn 2017.
- ^"Walk of Life". kcad.ferris.edu. Retrieved 15 November 2016.
- ^"OF GAMES III". www.khojworkshop.org/. Retrieved 7 September 2015.
- ^Lakhe, Amruta. "Games People Play Exhibition: Game, set, go".
Retrieved 1 May 2015.
- ^"Games People Play". www.bdlmuseum.org. Retrieved 19 April 2015.
- ^"An Ask with Thukral & Tagra @ Art Plural Gallery, Singapore". www.luxartasia.com. Retrieved 29 March 2013.
- ^"Open Windows". sg.asiatatler.com/.
Retrieved 24 May 2013.
- ^"Books". THUKRAL & TAGRA | INDIA. Retrieved 19 November 2019.